Self Portrait
1.
Why did you select the inspiration pieces?
I selected Frida Kahlo’s Self-Portrait With
Braid (1941), Berthe Morisot’ Self Portrait (1885), and Annie Liebowitz’s Self
Portrait (unknown). I wanted to concentrate on the work of women artists. I was
looking for portraits of grown women, not young girls or old women, who were
looking directly at the viewer. I also wanted different styles represented,
including at least 1 photographer, from somewhat different time periods. I knew
that Frida Kahlo was especially known for her self-portraits, so I wanted to
include one of her works – I think in this one she even has a hint of a smile.
1.
Why did you select the media to create your
self-portrait?
I wanted to do the best job I could and
pencil and paper are what I feel most comfortable using.
2.
What challenges did you face in creating your
self-portrait and how did you overcome them?
I wanted a more naturalistic rendition. I think
the biggest challenge I had was trying to get proportions that were realistic
enough that the portrait actually looked like me. I feel my attempts at drawing
always look like a child’s drawing. Doing multiple attempts helped me to
experiment with different values, proportions, etc and improve the quality of
the work.
1.
How does this piece represent you?
I noticed that self-portraits often have a
very serious facial expression – while I’m a serious person I think I’m also
generally a contented person and I wanted that to show in the self-portrait. Two
of the self-portraits I chose include the artist with something related to
their work/art. Since I teach and have had a life-long love of books, I
included a book in my self-portrait.
2.
What elements and principles of art did you
apply in this work?
As I noted above, I was trying to get a
naturalistic piece, so I was striving for natural proportions in the elements
of my face. As a monochromatic piece, I relied on lines and values to create the
elements of my face – values for cheekbones, for example, and lines to give
some texture to my hair.
3.
Did you enjoy working on this project?
So-so. It’s something I’ve never done
before, but I tend to be a perfectionist and I’m very aware of my limitations
in trying to create a work of art.
4.
What do you think of your final artwork?
It’s certainly better than my first effort –
the biggest thing I notice is that I made my face too long and the proportions
of my eyes are off. But I think I did a better job with this effort playing
with values to create cheekbones, etc.
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